This post continues from the one before. I have to say that there are times I have been too busy to write with a child or my day job, family or social plans. Sometimes all my time goes into the business side of queries, proposals, agents, editor like the last book that was published, Stirring the Waters. We spent months on the unusual editing. It had to be read aloud to hear the music and if the beat was correct. In the no writing times, I consider it a break from the essential part that I love in order to balance my life with other things that call. Continue reading “How to Motivate to Write and Keep Writing” »
Here to do a memoir for client. Snowy day and lots of work ahead. Great story but needs shaping to most important period. Lots there. Determined that showing her family’s love and loyalty to each other most important and relying safety information important too. Questions about publishing first in essays in well-known and small press magazines.
Yes, it’s a good idea. Keep it to a third of manuscript.
I changed my mind and it feels good to do so. I didn’t enjoy the lackluster voice of the protagonist in The Sense of An Ending until I sat down and read it for a length of time; sometimes reading a chunk of a book at one time makes a difference to me in how I can register a book’s tone and voice. Well, I settled in with in and came to like this 60’s man who was really an ordinary “every man” who took what life gave him and made it enough. Not pro-active until the end. The book became an alternative to Catcher in the Rye with the same sensibility. Continue reading “The Sense of An Ending by Julian Barnes” »
Read for Benecia Literary Arts and audience seemed to like the female touch in Salt and Paper: 65 Candles. Cooperative, peaceful, spiritual, living life with meaning of contribution and higher calling.
Reading Julian Barnes for a book group led by Pat Holt, former SF Chronicle’s book review. We’re thinking of what would make a modern classic where woman are portrayed realistically as powerful as they often are. Enough of the put downs of women and what is womanly. Julian Barnes book is The Sense of an Ending and is about memory. Continue reading “Reading and Writing Helps Memoir” »
Eagen won the Pulitzer Price for A Visit from the Goon Squad which is a richly layered character driven book. The “goon squad” is a metaphor for age coming to her characters, some maturing in wisdom and some with quirks of personality. This is book of human nature by an author who isn’t into violence but isn’t afraid of the “shadow forces” in us all. A telling of people which includes their shadow impulses gives us a glimpse into our common reality not readily shown. Continue reading “Jennifer Eagen’s Novels” »
Went on a walk in Alameda, CA, about thirty minutes from where I live on the marsh in Emeryville, to see the egrets nesting. Although we have egrets here, I understand there are about twenty places in this San Francisco Bay area that they actually build a nest and lay their eggs. They nest in colonies and the trees they pick and return to year after year are often called colonized trees because many nests are built in one tree or an several close by trees. Continue reading “Writing and the Egrets” »
Just saw Alison Bechtel at San Francisco’s Booksmith Height Street. (What a neighborhood to remind us of the 60’s and the “flower children” we once were.) It was a crowd of all ages and orientations and the store actually felt warm and inviting with the energy of the crowd coming from folks that wanted connecting. This is what Alison does for us. She helps us connect with her experiences of family and allows us to appreciate the truth in what we have lived, rather than the illusions of our defense. Continue reading “Alison Bechtel’s New Book Are You My Mother?” »
Your reader is reading your book because the title draws them in. You provide your reader with a powerful emotional experience and great facts as the story develops. If you’re writing a romance, you must create in your reader the illusion that she is falling in love herself. If you’re writing a thriller, you must create in your reader the illusion that he is in mortal danger and has only the tiniest chance of saving his life (and all of humanity). If you’re writing a fantasy, you must create in your reader the illusion that she is actually in another world where all is different and wonderful and magical. Continue reading “Element of fiction for memoir writing: The” »
How you come to the memoir is much like how you come to the world. In my experience of working with many varied people (and voices), I notice that a person very much in her/his body will come to the memoir with a great plot and facts and details. It’s a natural for those who feel practical and grounded. Someone who is more intuitive than sensate (body-based) will come to the memoir with a story that may involve hunches, feelings, coincidences, and perhaps write in a more magic realism style than the sensate person. Continue reading “How Do You Come to the Memoir?” »